
The Sufis have a contemplative practice called the dhikr. I am spelling it this way because that is the phonetic spelling of this Arabic word that I am most familiar with; others might spell it zikar, or any one of numerous spellings. I add this because I have been chided by self-proclaimed experts before, and if that’s what they think is important, so be it. It is the essence of the teaching and where it takes me that I find meaningful. I have forgotten most of the “Sufi Lore” I learned when I was a spiritual infant, and I gather this is considered important among my brethren, but… no matter.
This reminds me of one of my favorite “soul food” stories, one told by Alan Watts in his wonderful book Tao: the Watercourse Way, where an old woman (probably) explains how she attempted to give the Tao to a very important man of great intellect. She comments that he had the intellect but not the Tao, while she had the Tao, but not the intellect, so she had to find a way to convey the ineffable to him by breaking through his intellect and ego. She succeeded eventually, but as I recall the story, it was only because she really, really had the Tao, and the patience inherent to women who bring up small children and turn them into useful adults.
I make no claims as to whether I do or do not have the Tao, nor do I call it enlightenment, realization, God-consciousness, or any of the names we as various religious communities and cultures give to what Maslow termed the “peak experience.” But I will say that I am at least far enough along not to put much importance on whether or not I pronounce my wazaif (aka mantras) in the prescribed way, nor how long I “sit” daily. It has been many years since I was able to assume the lotus posture, nor do I own a fancy bench for my meditations, one that stabilizes me in order to be able to concentrate on what I’m attempting to do. I do recommend some of these things early on, because learning to meditate is just about the hardest thing most of us humanoids ever do, and whatever helps one to get to the point where one looks back and laughs at it all is worth looking into. But I digress…as usual.
Dhikr is possibly the central practice of most Sufi Orders, and of course there are many ways of doing it and saying it and chanting it and singing it. It is the core of the Dervish ceremony, of course, there is a great deal of lore out there about its practice and the miracles it brings. All I can do is tell you about it from the perspective of what it has given to me over nearly 40 years of practice.
My teacher, Pir Vilayat Inayat Khan, pointed out early on that the most apparent difference between dhikr and wazifa—or mantra—is that the practice of a mantra is about experiencing and enjoying the divine qualities of whatever it is we call God. Dhikr, on the other hand, is beyond that: it is about coming to the reality of God, beyond the qualities, beyond worlds and universes and beings… Dhikr is the way God is. And if one is going to come to That, one must go beyond all these things and into the Absolute…where one finds oneself emerging. It occurs to me, as I attempt to think about all this, that Dhikr is somewhat akin to the Samadhi practices of the Yogis, to contemplative Buddhist practices, to the Kyrie Eleison of the Hesychasts, and to the early Chassidic practices that eschewed form for meaning. I have no doubt that there is some form of it in all contemplative practice. Really, I suppose, it just depends on one’s intention and one’s travel plans when one embarks on this journey. If done well, however, it is not child’s play. It is an advanced practice, and should be undertaken only with the help of a trusted guide. Of course, having said that, we must then give thanks for “all those, whether known or unknown” who have bravely, and with sincerity and commitment, taken the journey when it was there to be taken. However, I suspect there is always a guide where the intent is true. I have found this to be true in my own practice, again and again. The Sufis say there is really only one Teacher, the Spirit of Guidance, and that This permeates all seeking. Perhaps key to a safe and successful journey—or rather, this particular leg of the journey—is sincerity.
I experience dhikr in approximately four stages, each of which is its own world of understanding. First is what some would call the abasement, or the dark night of the soul, in the alchemical terms my teacher loved and taught:
“La illa ha…” There is no God, there are no beings…
In that dark night of unknowing, as St. John of the Cross called it, one turns away from and relinquishes all one’s concepts about reality. Classically, this is done sweeping the head in a sort of clockwise circle, a gesture of negation: “all that I thought to be true about the world and God and reality…was a lie.” One is annihilating one’s concepts (not oneself). That comes next.
Bringing the head down to the chest,
“Ill’a”
One stabs one’s own heart with a lance of light from the third eye. It is a symbolic crucifixion, wherein one annihilates—again, not oneself—but one’s concept of oneself. “All that I thought I was and am, none of it exists, and none of it matters.” There is a sense of having destroyed all one’s concepts about oneself and the world and God, and what is left? The alchemists call it “dissolution,” in the classic formula, where what is gold is separated from what is lead. Out of this, a sun rises, a flower blooms, the resurrection takes place:
“Allah”
Having realized what one is not, there is a new birth, because in the annihilation, a new seed is planted, the seed of a new soul. The crucifixion of Christ beautifully represents this, and there are numerous similar stories about Sufis and other mystics who undergo this process. Al Hallaj, for instance, who was dismembered because, while in the state of God consciousness, he said, “I am the truth.” Finally,
“Hu.”
And that is the fragrance that persists after the flower has long gone to other seed. It is what our lives are about: the dhikr sings itself through our days and nights, and it is the meaning within it all. I find that it is both the symbol and the reality of this journey I’ve undertaken, and it sings itself through each new adventure that comes. It evokes the words and pictures for a new kind of story, and helps me to forget the stories I have fabricated to make my life bearable, so that there is now the possibility for a new song, a new story, a clear playing field.
I have friends who are Sufis and also Buddhists or Jews or Christians (Father Frank, are you still out there?); sometimes we laugh and say that we are “Bufis,” or “Jewfies,” and that is all quite as it should be. The outer forms of religion are just that: outer forms. Words like dhikr or mantra or prayer all express our chosen methods of travel. In the culture I grew up in, it was all about dying and being reborn, and I find that meaningful, if properly understood, but I might also think that it is about sleeping and awakening. Recently, when working with dhikr, I have, in the second stage, when my third eye meets my heart, perceived an enchanting desert scene: it is twilight, and the colors of the landscape are all pinks and mauves and fawns. Stars twinkle overhead. I stand on a soft, dusty road, walking into that twilight, and somehow I know that I am waiting at the other end of it…and yet: is there an end at all?
The Message is a call to awakening for those who are meant to awaken, and a lullabye for those who are still meant to sleep. –Hazrat Inayat Khan




